


Our design came directly from the urban and landscape context; on the one hand, the layout was determined by the vegetated, hilly terrain at the back of the building, and on the other hand by a fan of roads that took the shape of the Three Crosses Square in the early nineteenth century. The architecture of the new building — the building mass, the design, the dimensions, the relationship to the building line — responds to this in a smart way and thus turns challenges into starting points.



Stylistically, a modest, sleek modern design language was chosen, which is nevertheless in harmony with the monumental buildings in the immediate vicinity - such as the free-standing neoclassical Alexander Church and the Ministry of Industry, built under communism.



Dividing the sandstone façade of the bank office into three vertical bands, with each section functioning at a different scale level. The double store floor lying backwards provides space for pedestrians, the regular sandstone façade forms a square wall, while the light, pavilion-like roof structure can only be seen from a distance. The public passage to the park is flanked by a lower extension, right next to the historic building of the Institute for the Deaf: an ingenious transition that ensures that the new building is seamlessly embedded in the context.




